If you try Resolve, it defaults to ProRes HQ for the "Optimized" setting under macOS, but it can be set to ProRes LT or DNx. Also keep in mind that ProRes can be uploaded to FrameIO, Vimeo and YouTube. Export both Sequences to MP4 and also take note of the export times. Export both the Sequence that uses Sony camera original footage and the duplicate that uses ProRes to the "Match sequence preview settings" Preset. You'll notice that that is much, much faster being ProRes to ProRes. You'll notice that the Yellow Preview Render line appears much less frequently if at all. Close the Sequence Timeline and re-open it. You'll be prompted to delete Render Files (click OK).
When that is finished, change the duplicate Sequence settings to Custom QuickTime Apple ProRes 422 LT.
60 minutes of source footage should take about three minutes to transcode and require about 42GB of storage space. Select all of the Clips, right-click and use Render and Replace transcode Individual Clips to ProRes 422 LT. Jonas, I highly recommend that you take one of your current Sequences that uses Sony A7IV camera original footage and make a duplicate Sequence with "_ProRes" added to the duplicate Sequence name.
Sony makes Sony Catalyst Prepare available for transcoding to ProRes, but it's easier to do it via Premiere Pro's Ingest project settings. XAVC is a great CODEC for in camera acquisition of picture, but it's not a great CODEC for editing. HP Omen 15-dh1xx Laptop Intel(R) Core(TM) i7-10750H CPU 2.60GHz 2.59 GHzĭaVinci Resolve 18 makes it difficult to tell if "hardware acceleration" is being used for H264 and H265 exports as the Export Option simply reads "Use hardware acceleration if available".įor Premiere Pro or DaVinci Resolve, I would transcode Sony A7IV footage (XAVC S or S-I) to ProRes 422 HQ or ProRes 422 LT. IMac Pro (2017) 3 GHz 10-Core Intel Xeon W
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